Artist: Vyacheslav (Yura) Useinov.

The idea is to initiate in the internal environment of artistic habitation a reflection on the "glacial period of consciousness". To break the habitual course of everyday things, ignoring the current idea of ​​the swastika as a negative symbol and giving the sign its original meaning, namely through the demonstration of the silk mandala in the technique of chia in the cavity of the art space. Narrative of the attempt on the Buddhist symbol through skeletal models of dinosaurs, through their plastic configuration of frozen intentions. This project is in the imperative of both Western and Eastern history. Creating choreography of outdoor space on the principle of "shuidao": action without action - to some extent the object approximates the language reading, in the body of which the conceptual beating connects the past and the present in its conflict point. Two-meter size of dinosaurs all its kind gives out human habits or vice versa, perhaps a man gives out the habits of extinct dinosaurs. "Theft of the swastika" is a moment of one interpretation warning about possible consequences, as it was already with fascist Germany, etc.

Author: Vyacheslav (Yura) Useinov.
Object: "Gastarbaytarskiy flight".
Tashkent. 2006

 

Author: Vyacheslav (Yura) Useinov.
Performance to the object "Gastarbaytarskiy voyage" - "Artists under suspicion".
Tashkent. 2006

Author: Vyacheslav (Yura) Useinov
Co-author: Alexander Mikhailov

This installation project is realized as the object of a gold pantheon, which is based on the history of the alleged fact described in Miroslava Stingl's book The Mystery of the Pyramids. In the 18th century in Peru, during the conquistadors, Colonel Laros found a treasure with golden butterflies, they were of amazing beauty and possessed aerodynamic properties. Each butterfly was not heavier than one gram. Colonel Laros melted all the butterflies into gold bars, leaving none of them. This historical evidence is very similar to the myth, actualizes the moral problems of human values ​​already in our modern world.

Author: Vyacheslav (Yura) Useinov
Circles of Humiliation. Installation. Year: 2006. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Fractal Score of Light and Shadow. Experimental textile.
Technique: beer cans, jute.
Size: 110x110 cm. Year: 1996. Tashkent
WorldBankGallery, Washington, US

Author: Vyacheslav (Yura) Useinov
Fractal Flaming Aurora of the Red Mist.
Technique: silk, synthetics, plastic.
Size: 160x220 cm. Year: 2002. Tashkent.
Collection of UZ Embassy in Uzbekistan.

Author: Vyacheslav (Yura) Useinov
Fractal Pause of Light. Experimental textile.
Technique: silk, synthetics, plastic. Size: 120x250 cm. Year: 2008. Tashkent
Private collection, Dubai.

Author: Vyacheslav (Yura) Useinov
Cilinders. Painting.
Technique: oil on canvas. Size: 130х100 cm. Year: 2003.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Fractal Topography of Silk Scrolls. Painting.
Technique: oil on canvas. Size: 110х120 cm. Year: 2008. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Landscape in the Vicinity of Besh Bola.
Technique: oil on canvas. Size: 120х130 cm. Year: 2007.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Knot. Installation.
Year: 2015. Bishkek.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Geometry of Time. Tapestry.
Mixed technique: acrylic, synthetics, embroidery. Size: 350х220 cm. Year: 2005. Tashkent.
The tapestry was woven by Nina Petrosova, textile artist.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Source. Fractal patchwork. Patchwork
Technique. Size: 370х360 cm. Year: 2006. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Inspired by Samarkand Architecture. Fractal patchwork. Patchwork
Technique. Size: 370х365 cm. Year: 2007. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Inspired by Bukhara Architecture. Fractal patchwork.
Size: 370х360 cm. Year: 2008. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Composition Dedicated to Vazarelli. Chiy.
Technique: silk, synthetics, pine sticks. Size: 160х160 cm. Year: 2009. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
In the Territory of the Sky. Chiy.
Technique: silk, synthetics, pine sticks. Size: 160х150 cm. Year: 2008. Tashkent.
Private collection, Singapore.

Автор: Вячеслав (Юра) Усеинов.
“Линейная композиция”.

Author: Vyacheslav (Yura) Useinov
Four Dots. Chiy.
Technique: silk, synthetics, pine sticks.
Size: 117х92 cm. Year: 1992. Ferghana.
Private collection, Dubai.

Author: Vyacheslav (Yura) Useinov
Collecting the Cocoons. Chiy.
Technique: silk, synthetics, pine cticks. Size: 230х180 cm.
The sketch was made in 1975, and the piece itself was created in 2004. Tashkent.
Collection of Marjani Fund, Russia.

Author: Vyacheslav (Yura) Useinov
Nails for the Second Crucifixion.
Technique: coal clay, metal. Size: 32х32 cm. Year: 1997.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Infant’s Gesture. Painting.
Technique: paper, tempera. Size: 90х75 cm. Year: 1993. Ferghana.
Private collection, US.

Author: Vyacheslav (Yura) Useinov
Cadence. Dedicated to AntoninArtaud. Painting.
Technique: oil on canvas. Size: 80х60 cm. Year: 1990. Ferghana.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Mists of the Condemned Lips. Painting.
Technique: oil on canvas. Size: 80х60 cm. Year: 1994. Ferghana.
Private collection, Dubai.

Исполнитель печати: Вячеслав (Юра) Усеинов.
“ФЕРГАНСКИЕ ДЕВУШКИ ФОТОГРАФИЯ НА ПАМЯТЬ”.
Техника: Шелкография на бязи по фотографии 1905г. Фергана.
Размер полотна: 220x200 см.
Произведение находится в коллекции автора. Ташкент. 2017г.
Фотография сопровождается голосовым чтением Шамшада Абдуллаева.
Автор текста: Шамшад Абдуллаев.

В ночной тишине

Author: Vyacheslav (Yura) Useinov
Drifting from Jerusalem’s Shores. Textile. Patchwork picture.
Size: 375х370 cm. Year: 2008. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
And Locus Gnawed the Earth Down Right to the Grave of Abraham. Textile. Patchwork picture.
Size: 270х260 cm. Year: 1998. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Absorption of the White. Tapestry. Mixed
Technique: wool., synthetics, clothesline.
Size: 300х220 cm. Year: 1995. Tashkent.
The tapestry was woven by Nina Petrosova, textile artist.
Private collection, Moscow, Russia.

Author: Vyacheslav (Yura) Useinov
Cross Cutting of the 15th Stone of Ryōan-ji Garden. Panel.
Technique: wool, synthetics, acryliс, clothesline. Size: 260х220 cm. Year: 1995. Ferghana.
The panel produced by Nina Petrosova, textile artist.
Collection of the Ministry of Foreign Affairs, Republic of Uzbekistan.

Author: Vyacheslav (Yura) Useinov
Wandering Rhythm. Tapestry.
Technique: acrylic, wool. Size: 95х95 cm. Year: 1996. Tashkent.
The tapestry produced by Nina Petrosova, textile artist.
Private collection, Russia.

Author: Vyacheslav (Yura) Useinov
Interval. Textile.
Technique: silk, synthetics, clothesline, metal. Size: 200х200 cm. Year: 1992. Ferghana.
The panno produced by Nina Petrosova, textile artist.
Private collection, Russia.

Author: Vyacheslav (Yura) Useinov
Hammered Splash. Tapestry.
Technique: wool, synthetics. Size: 120х95 cm. Year: 1995. Tashkent.
The tapestry produced by Nina Petrosova, textile artist.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Balance of a Gesture. Tapestry.
Technique: wool, synthetics. Size: 200х100 cm. Year: 2004. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Rose in Red. Tapestry.
Technique: wool, synthetics. Size: 120х95 cm. Year: 1999. Tashkent.
The tapestry produced by Nina Petrosova, textile artist.
Stolen on the way from Washington to Tashkent; whereabouts unknown.

Author: Vyacheslav (Yura) Useinov
Black Animals. Tapestry.
Technique: wool, synthetics. Year: 1990. Ferghana.
The tapestry produced by Nina Petrosova, textile artist.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Identification of the Sign. Tapestry.
Technique: wool, acrylic. Size: 95х95 cm. Year: 1998. Ferghana.
The tapestry produced by Nina Petrosova, textile artist.
Collection of Marjani Fund, Russia.

Author: Vyacheslav (Yura) Useinov
Notches of the Setting Sun. Textile.
Technique: beer cans, jute, wood. Size: 120х95 cm. Year: 1993. Tashkent.
Collection of US Embassy to Uzbekistan.

Author: Vyacheslav (Yura) Useinov
Constanta. Fractal Installation.
Technique: wood, plastic, mirrors, clothesline. Year: 2005. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Ploughed Banks of the Landscape. Pastel.
Size: 70х45 cm. Year: 2010. Tashkent.
Private collection, UK.

Author: Vyacheslav (Yura) Useinov
Fractal Composition 2015. Drawing.
Technique: sand paper. pastels. Size: 90х90 cm. Year: 2011. Tashkent.
Private collection, Moscow, Russia.

Автор: Вячеслав (Юра) Усеинов.
Картина: “Сквозной поток”.
Техника: оргалит, масло. Размер: 60х80 см. Ташкент. 2000 г.
Произведение находится в частной коллекции. США.

Author: Vyacheslav (Yura) Useinov
Stream of Water. Painting.
Technique: orgalite, oil. Size: 90х70 cm. Year: 1995. Tashkent.
Private collection, USA.

Author: Vyacheslav (Yura) Useinov
Glittering. Painting.
Technique: oil on canvas. Size: 120x95 cm. Year: 2001. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Glittering Splash. Painting.
Technique: oil on canvas. Size: 120х95 cm. Year: 2000. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Five Suns. Painting.
Technique: paper, tempera. Size: 100х75 cm. Year: 1996. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Landscape behind the Wife of a Florentine Merchant
Technique: oil on canvas. Size: 120x95 cm. Year: 2012. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Kara-Shura Village.
Technique: paper, gouache. Size: 70х50 cm. Year: 1986. Ferghana.
Collection of local history museum of Ferghana.

Author: Vyacheslav (Yura) Useinov
Hospital. Painting.
Technique: paper, gouache. Size: 90х60 cm. Year: 1978. Ferghana.
This painting was created when the author was 11.
Collection of Marjani Fund, Russia.

Author: Vyacheslav (Yura) Useinov
Bobruisk. Painting.
Technique: cardboard, oil. Size: 40х50 cm. Year: 1985. Bobruisk.
Private collection, Russia.

Author: Vyacheslav (Yura) Useinov.
Fractal Landscape. Tapestry.
The composition is based on the enlarged detail of “Message” painting. This peace shows transition to the state of fractal hyper-verism.
Technique: acrylic, wool. Size: 250x350 cm. Year: 2007-2012. Tashkent.
The tapestry was woven by Nina Petrosova, textile artist.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Tumult of Hollow Balances.
Technique: oil on canvas. Size: 120х110 cm. Year: 2002. Tashkent.
Collection of the author.

Author: Vyacheslav (Yura) Useinov
Birth. Painting.
Technique: paper, gouache. Size: 220х180 cm. Year: 1974. Ferghana.
This painting was created when the author was 12.
Collection of NBU Gallery, Uzbekistan.

Author: Vyacheslav (Yura) Useinov
Ferghana Valley. Painting.
Technique: paper, gouache. Size: 180х150 cm. Year: 1973. Ferghana.
This painting was created when the author was 11.
Collection of World Bank Gallery, USA.
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